|
The Battle of Algiers - Criterion Collection | 
 enlarge | Director: Gillo Pontecorvo
Actors: Brahim Hadjadj, Jean Martin, Yacef Saadi, Samia Kerbash, Ugo Paletti
Studio: Criterion
Category: DVD
List Price: $49.95
Buy New: $28.99
You Save: $20.96 (42%)
New (43) Used (14) Collectible (2) from $24.99
Avg. Customer Rating:  116 reviews
Sales Rank: 3493
Format: Anamorphic, Box Set, Black & White, Closed-captioned, Dvd-video, Special Edition, Subtitled, Widescreen, Ntsc
Languages: French (Original Language), Arabic (Original Language), English (Subtitled)
Rating: NR (Not Rated)
Number Of Items: 3
Running Time: 125
Aspect Ratio: 1.85:1
Shipping Weight (lbs): 0.2
Dimensions (in): 7.5 x 5.5 x 1.1
MPN: PMIDBAT120D
ISBN: 0780028872
UPC: 037429195628
EAN: 9780780028876
ASIN: B0002JP2OI
Theatrical Release Date: September 20, 1967
Release Date: October 12, 2004
Availability: Usually ships in 1-2 business days
Shipping: Expedited shipping available
Shipping: International shipping available
Condition: Brand new, factory sealed. Fast shipping!
|
| Similar Items:
|
| Editorial Reviews:
Product Description
Studio: Image Entertainment Release Date: 10/12/2004 Run time: 125 minutes
Amazon.com
Director Gillo Pontecorvo's 1966 movie The Battle of Algiers concerns the violent struggle in the late 1950s for Algerian independence from France, where the film was banned on its release for fear of creating civil disturbances. Certainly, the heady, insurrectionary mood of the film, enhanced by a relentlessly pulsating Ennio Morricone soundtrack, makes for an emotionally high temperature throughout. Decades later, the advent of the "war against terror" has only intensified the film's relevance. Shot in a gripping, quasi-documentary style, The Battle of Algiers uses a cast of untrained actors coupled with a stern voiceover. Initially, the film focuses on the conversion of young hoodlum Ali La Pointe (Brahim Haggiag) to F.L.N. (the Algerian Liberation Front). However, as a sequence of outrages and violent counter-terrorist measures ensue, it becomes clear that, as in Eisenstein's October, it is the Revolution itself that is the true star of the film. Pontecorvo balances cinematic tension with grimly acute political insight. He also manages an evenhandedness in depicting the adversaries. He doesn't flinch from demonstrating the civilian consequences of the F.L.N.'s bombings, while Colonel Mathieu, the French office brought in to quell the nationalists, is played by Jean Martin as a determined, shrewd, and, in his own way, honorable man. However, the closing scenes of the movie--a welter of smoke, teeming street demonstrations, and the pealing white noise of ululations--leaves the viewer both intellectually and emotionally convinced of the rightfulness of the liberation struggle. This is surely among a handful of the finest movies ever made. --David Stubbs
|
| Customer Reviews: Read 111 more reviews...
 Dated Sensibilities October 22, 2008
1 out of 1 found this review helpful
I recently saw this movie and for me it has some interesting features but is far from being the ultimate war movie it was supposed to be. Maybe at the time it was released it had something new to tell but after more than 40 years I think its sensibilities are dated.
I do not like the glorification of violence in the name of leftist politics, even though their cause could be considered as just the methods the Algerian FNLN guerrilla used were despicable, the cowardly murder of police and army personnel and the bombing of civilians is far from heroic. We can empathize with the anger of the Algerian people at being dominated by a white French minority but resorting to criminal brutality was unjustified even if at the end the aims were achieved and indeed Algeria won its independence (more because of negative political sentiment in France that ultimately sapped the moral of the troops and led the nation to finally give up in this struggle). The director clearly aims at creating a sympathy with the urban guerrillas true to sixties sensibilities at a time when Che Guevara and Ho Chi Min were considered heroes by the young and the leftist inclined intellectuals and lay people. Today we are seeing the devastating effects these so called heroes created in their societies bringing not the final redemption of the masses but brutal dictatorships and ultimately economic failure of their economies and now we have only Cuba openly professing Communism and supporting guerrilla groups such as the soon to be defunct FARC in Colombia. So I do not support left wing freedom fighters knowing what we know today but in the early sixties still the Soviet Union was going strong creating a sixth column around the world aided by the bleeding heart leftist intellectuals and the youth openly professing revolutionary ideas all over the world and movies such as this aided in this aim.
I commend the director (Pontecorvo) in presenting a well balanced character in Col. Mathieu, the French paratroop commander. Considering the ideological leanings of the film it could have been easy to present a caricature of a nazi sadist but we are given a more profound character that indeed addresses the tough necessities in fighting a dirty war but with a sense of morality.
I cannot root for the French either as they were only trying to preserve a colonial rule that by the time was outdated and in moral bankrupcy, of course they were tough and at times brutal but the enemy did not give them other choice, that is the sad truth of fighting urban guerrillas, you cannot recognize the combatants from the civilians and to find them you have to bend the rules of decency and civilized warfare. Thus we have torture being used as a necessity, spies, informers and traitors also were used in order to reach the safe houses and hiding places the guerrillas used and to ultimately find the few die-hards that are hiding among the society that only wants to be left in peace to resume normal life, this is the essence of dirty war that leftist groups and freedom fighters have forced armies to use.
The movie was well crafted, the style was almost a documentary, the use of native actors gives it some authenticity. Being a little bit pedantic I found it rather annoying to listen to the dialogs in Italian as the movie took place in French speaking Algeria and I would certainly have preferred to see it in French for authenticity.
In summation this was a good movie, not very revealing, its outdated with current sensibilities but the hype surrounding it does not match with the quality or impact of this movie.
 An Uncommonly Powerful Film October 9, 2008
1 out of 1 found this review helpful
There are few films with the power of The Battle Of Algiers. It is a film based on real events that gives you, the audience, the feel of those events actually unfolding before your eyes, which is a rarity to say the least. What is even rarer is what makes this film so good: it is perhaps the most successful documentary approach recreation of actual events ever produced.
Perhaps the biggest key to the documentary approach of the film is the fact that the actors do not seem to be acting. Often it is the very fact that actors do seems to be acting that can kill the reality of a film like this one yet this represents one of the successful attempts at using not just actors but non-actors to create a seamless whole. In fact one of the best decisions made by Gillo Pontecorvo was to cast Saadi Yacef who was directly involved in the real events to effectively play himself. The advantage of this is that it adds an even greater degree of verisimilitude to the film and its approach.
The documentary approach is in fact the very key to the success of The Battle Of Algiers. The cinematography wobbles, zooms and frames in the way that a documentary film would if filming these events as they were taking place and gives the film the visual reference of a documentary. The result of this is the feeling in the midst of riots, shooting, bombings, meetings, torturing etc. In short the film gives the feeling of being in the midst of a modern revolution from both sides of it.
In fact it is the very fact that The Battle Of Algiers covers both sides that makes the film stand-out. It is true that the filmmakers have an obvious bias for the FLN, yet one must look deeper into the film. Despite that bias the film pulls no punches on the morals of terrorism. The very fact that is shows shooting and bombings up close and personal and the aftermaths as well in perhaps the single best example of this. Neither side be it the FLN with their terrorist attacks of the French with their paratroopers using torture is portrayed as the definite good guys or bad guys to put it in more conventional, literal terms. The film proves that one point of view is as valid as the other, something rather unique to this film. The bias is for the FLN and the journey of Ali La Pointe from average Algerian to revolutionary yet the fact is that the film shows both sides. The point of this: nobody is right yet nobodies wrong and both sides of any conflict must understand this. That fact alone makes the film as relevant today as it was forty plus years ago.
Another strong element of the film is its rather sparse score. The score was a collaboration between films core master Ennio Morricone and Pontecorvo and it is proof of the old saying less is more. The score provided emotional clout to an all ready emotionally charged film from the almost thunderous paratrooper theme to the heartbreaking piece used in the aftermath of both the French and FLN bombings. In fact that latter piece alone makes clear the intent of those scenes: human suffering in universal no matter which side of a conflict you are on. It is a unique score for a unique film.
The Battle Of Algiers is a unique film in many ways. From the verisimilitude of its cast to its documentary approach and unique view of modern revolutions and terrorism, few films can match the sheer power and realism of this film. It is this uncommon aspect that makes the film unique even some four decades after it was made. For anyone seeking a unique insight into modern terrorism or seeking a fine example of how a film can bring history to life after the event I recommend The Battle Of Algiers without hesitation. Watch it, learn from it and be all the better for it.
perhaps the most important film today September 26, 2008
1 out of 1 found this review helpful
A great film 60 years ago, today this might be the most important film one can watch, especially given the current political situation. This movie is probably my favorite movie of all time. I love it and it should be watched by anyone and everyone in our society. Ali La Pointe!
SO ..SO ..RELEVANT TODAY May 13, 2008
1 out of 1 found this review helpful
Having read many Books on the Algerian war ,I was drawn to this Movie and must say it is a MUST SEE!for any movie fanatic or History major. The DVD Boxed set comes in a wonderful package it looks and feels like it belongs in the Louvre,at first I was taken back by the Bias towards the Algerian side but then again History is subjective ...well worth the money .
There's Nothing New Under The Sun April 16, 2008
1 out of 1 found this review helpful
This film hits like a punch to the mid-section!
I rate The Battle of Algiers among the best films ever made and lament the fact it is so (suspiciously) difficult to find a copy of it in the United States today. It is painfully realistic, fact-filled, horrifying, and packed with disturbing lessons in the politics of conflicting cultures that have never been more relevant than they are right now. As it tells the story of dogged French efforts half a century ago to maintain possession of Algeria, and equally tenacious Algerian struggles to attain independence, The Battle of Algiers has a cast of hundreds (and thousands more extras) that keeps its story going at an extremely fast pace. Here among the countless acts of assassination, terrorism, and outright murder, often for revenge and against innocent civilians, is human drama anchored in history and reality. Some of the incidents this motion picture bluntly depicts will send chills down the spines of even the most hardened veteran of sensationalized, special effect heavy Hollywood war films. And of course anyone would have to be blind not to see ironclad parallels between the French experiences in North Africa and the American situation in Iraq today. This is a masterpiece.
|
|
|
© 2007 saydeals.com. All rights reserved. | |
